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Search Results for Film

Bhuvaneswari Gopalakrishnan, Rashmi Rekha Borah, Subbu Lakshmi M.
314-330
Exploring Societal Fears of Aging and Loss of Beauty in Disney Film “Tangled” and Indian Film “Yashoda”: A Feminist Film Analysis
December 11, 2024
Ubong Andem Obong, Eme Iniobong Ukpabio, Samuel Asukwo Etifit
61-82
Film, Propaganda, and the “New Nigeria” National Philosophy: Deconstructing the Latent Socio-Political Themes in Bright Obasi’s Film “If I am President”
June 19, 2023
Joseph M. Lucas, Dr., Fatima D. Vakkai, Tordue Simon Targema
123-146
Mirroring the Conflict Situation of the Oil-rich Niger Delta Region of Nigeria on the Screen: A Thematic Analysis of the Film - Black November
June 26, 2020
Serhat Yetimova, Abdrasul İsakov
96-120
An Analysis of the Kurmanjan Datka Movie in the Context of Historical and Ideological Film Criticism
May 20, 2024
Victoria Baltag
98-109
Humour in Film as a Method of Expression
October 29, 2021
M Afifulloh
48-68
Gender Construction in Original Netflix Film: A Representation Study
March 3, 2025
Farida Mir-Bagirzade
107-116
Shamil Najafzada and symbols in his Cartoons
May 27, 2019
Gennady V. Bakumenko, Anna G. Luginina, Olga A. Baklanova
119-167
Eschatology of the Singularity: “Deus ex machina” in the Construction of Film Images of the Future
September 30, 2024
Mehmet Arslantepe, Efe Önal
66-95
Raskolnikov as a Transformed Character: Aki Kaurismäki's Adaptation of “Crime and Punishment” (1983)
May 20, 2024
Sergey A. Pesyakov
139-159
“The Dark is Afraid of Me”: Philosophical and Anthropological Issues in the Riddick Trilogy
October 19, 2020
Emilia A. Tajsin
52-65
Asymmetry of Screen and Book Culture
May 20, 2024
Alexander V. Pavlov
218-230
Dialectics of Cult Cinema
February 10, 2021
Menderes Akdağ, Serhat Yetimova, Serkan Öztürk
124-155
Visual Aesthetics and Mathematics in Cinema: Comparative Content and Cultural Analysis of Harry Potter and the Philosopher’s Stone and The Conquest 1453
February 14, 2024
Todd McGowan
63-87
Two Forms of Fetishism: From the Commodity to Revolution in "Us"
May 27, 2019
Selcuk Ulutas, Murat Aytaş
286-313
The Concept of Stimmung and the Creation of Objective Moods in Movies: “Kerr” (2021) Movie Review
December 11, 2024
Alexander V. Pavlov
251-265
“The Conjuring”: Invisible Fear, Theology of Horror, and Traditional Values
March 3, 2025
Nursel Bolat, Esennur Sirer
259-281
Surreal Virtual Spaces Created in Cinema with Metaverse. Avatar: The Way of Water
December 15, 2023
Murat Şahin
83-101
The Water Myth in Cinema: From the Fountain of Youth to the Flood – the Hero’s Journey in Films
June 19, 2023
Nikolay S. Babich, Anastasia A. Vlasova-Yagodina
15-47
Testing Hypothesis about the Prototext through Content Analysis in Cinematography: The Case of “Pretty Woman”
March 3, 2025
Weihua Qiao
426-453
From Digital Social to Box Office Revenue: Analysis of the Impact and Trends of Electronic Word‑of‑Mouth
December 11, 2024
Antonina V. Selezneva, Alexandra F. Yakovleva, Eduard S. Ibragimov
109-138
Civic Consciousness of the Russian Youth and the Mediaspace: “Unsolvable Puzzle”
December 18, 2021
Arina A. Kutovaia, Ekaterina V. Mikhailovskaya
47-88
The Myth of Batman: Intra- and Interdiscursive Transformations
October 19, 2020
Anastasia V. Kucherova
331-349
“Sculpting from Time”: Attempts at Philosophical Reconstruction of A. Tarkovsky’s Legacy
December 11, 2024
Alexander V. Pavlov
274-288
“Horror Movies Always Know What We Did Last Summer”: Meta-Horror, Philosophy, and “The Cabin in the Woods”
February 14, 2024
Roman V. Voronin
108-129
Ingame Instances: Authors, Actors, and Recipients
December 30, 2019

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